"Full Moon Fathers" Film Preview to Bring the Horror to Malta – Nippertown

MALTA On October 16, local filmmaker and musician Sean Cranston will preview his film Full Moon Fathers at the Malta Drive-In, as part of an evenings entertainment that includes an art show and live music as well.

The year is 1979. On the run from the law, a vicious biker gang, known as The Full Moon Fathers, wakes from a night of partying in the woods to find one of their members murdered. While all fingers point to each other, another more sinister presence moves in.

Full Moon Fathers is the brainchild of Sean Cranston. He is a self-described ramblin man, trying to make a livin and doin the best [I] he can. (My apologies to Dickey Betts, but a quote is a quote.) Cranston is a Drum Instructor and show director with The Albany School of Rock by day, and had an irresistible urge to create something that went against the grain of all the teenagers exploring a haunted place movies. He observed that some veterans dont fear much in this world, because of what they have seen and lived through. A story shared with him by a friend enabled him to add elements of true life, and that triggered an effort to write a story testing the limits in a situation that was uncontrollable in an otherworldly way.

The self-funded, project enabled Cranston to immerse himself in the scenery and history in the woods of Schuylerville NY, where he lived for two years making this film. He characterized that as fun, which probably is true, in comparison to the effort needed to keep the wheels turning over the four years to bring it to a screen. Cranston used some preparedness smarts when he pursued the use of the Malta Drive-In, given the ongoing unpredictability of Covid. Making it so folks could see the movie in a car with their pod was a nice touch. (We public health people love that!)

Future plans for the movie include possible Video-on-Demand distribution (depending on reception) and the release of his novella based on the film, with hand-drawn illustrations to accompany each chapter.

Prior to the showing of Full Moon Fathers, a short horror film, Holiday Spirit, by Crantsons dear friend, Bailey Victoria (writer & director) will be shown. The School of Rock House Band is a group of insanely talented young adults who are going to kick off the night with some classic rock n roll tunes.

A drive-in in October? To see a scary movie? Or two? When the veil between the living and the dead is getting thinner? Do you dare? Oh, what could happen?

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Best Scary Movies for Tweens and Teenagers – The Mary Sue

Speaking from experience, most horror fans already had a fascination with or budding love for horror as kids. Maybe we sneaked content as kids or browsed the horror sections of video stores, constantly feeling that desire to dive deep into the macabre. Ultimately, theres nothing wrong with allowing kids to watch horror with you. Of course, itd be a bit much to allow a tween to watch Inside (2007), for example. I wouldnt recommend that.

If you happen to have children or know loved ones that are tweens or young teens, then be smart with your recommendations. Dont just recommend any film without considering what may be too intense. Think of movies like Coraline (2009) and maybe animated horror! This list, which Ive separated by subgenre, may help you. Every one of these films is rated from PG14A. Therefore, the list is more geared towards people under 17+.

Out of all the subgenres in horror, horror comedies have a fair number of movies that are tween-young teen friendly. From the 80s to our present day, theres some gut-busting movies to check out. Believe me, Id know, because horror comedy is in my top (insert a number) for subgenres. If youre looking for something quirky with a horror icon as the lead? Elvira: Mistress of the Dark (1988). Want to sing along as youre freaked out or cracking up? Little Shop of Horrors (1986). Looking for something a bit more modern as a recommendation? The Final Girls (2015). Below are some more recommendations:

In my eyes, theres supernatural horror that wont scare the shit out of kids is few and far between. At least tweens and early teens that scary easy. But all hope isnt lost, folks! Theres a fair bit of modern supernatural horror thats most suitable in this case. Remakes like The Ring (2002) and The Grudge (2004) that arent perfect but get the job done. Want something thats more original and effective as a PG-13 horror movie? Ouija: Origin of Evil (2016) hands down! Other than those there are a few more (if they dont satisfy then theres nothing wrong with a Google search) recommendations:

Lets be real, psychological horror isnt always everyones favorite subgenre. Sometimes everything that happens is merely in the head of the character(s), rendering scares to potentially be dampened upon a rewatch. Of course, theres still some to check out. A remake like When a Stranger Calls (2006) is decent enough. Escape Room (2019) may satisfy your need for psychological horror thats not too wild. Its all up to what your taste is. There are some more recommendations below:

Post-apocalyptic being PG-13 doesnt work all the time. Often when we think of the end of the world, its a violent affair. But I cant just leave you hanging right now. So let me be a clich and mainly recommend A Quiet Place (2018) and A Quiet Place Part II (2021). Given the main focus of both films, its weird to remember that both are PG-13. They always feel more violent than they actually are. And the creatures are frightening enough. The premise is relatively straightforward as its about the end of the world, duh. Though the twist of having to be quiet or youll probably die is great.

Youd be hard pressed to find a GOOD creature feature thats not rated R. You could watch the Anaconda franchise, but some of us remember those more fondly than they deserve. And I cant exactly recommend Alien (1979), now can I? So therefore Im left with recommending this effective gem. Sweetheart (2019) not only gives a Black woman as the lead, its also got an interesting creature. Id recommend watching this in a dark room with your snacks of choice. Perfect PG-13 horror night.

(featured image: Universal Pictures)

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‘The Outwaters’ – SCREAMBOX Just Acquired One of the Scariest Movies of the Year! – Bloody Disgusting

Huge, huge, huge news today as were excited to announce that Cinedigm, Bloody Disgusting, and SCREAMBOX have teamed to acquire all North American rights to Robbie Banfitchs haunting and hellish horror nightmare, The Outwaters!

The news was first reported by Variety this afternoon.

The visceral, chaotic, and disorienting horror film is hands down one of the scariest films of the year. Nightmarish Conjurings noted it was a rare gift in horror and something [viewers] havent seen before, while our very own Meagan Navarro called it a singular, experimental descent into depravity and gory chaos. You havetoread her review.

In fact, DailyDeadcalls it a terrifying, suffocating viewing experience, whileiHORRORsays its on track to become the next cult horror movie, adding that its the most disturbing movie of the year.

A throwback to the early days of the found-footage genre, Cinedigm plans to release The Outwaters in theaters early next year followed by an exclusive launch on its horror streaming service SCREAMBOX, which is powered by your pals at Bloody Disgusting.

Written and directed by Robbie Banfitch, The Outwaters takes viewers off the beaten path and into their own nightmares. The film plays out over three memory cards found in a sun-drenched section of the Mojave Desert. The footage within is that of a foursome, who set out to make a music video while camping, led by a charismatic LA filmmaker. Their trip starts out uneventful, though their peace is occasionally disrupted by unexplained sounds, vibrations, and unnatural animal behavior. Then one night everything changes, sending the foursome on a mind-bending trip through terror.

During its festival run, the film took home the Jury Prize for Best Feature at the Unnamed Footage Festival. The film also received rave reviews from Panic Fest, The New Jersey Film Festival, Unnamed Footage Festival and the Chattanooga Film Festival, placing The Outwaters at the top of horror fans must watch lists. This momentum has made it one of the most anticipated films at the upcoming Dead of Night Film Festival, in Liverpool this October.

This is one of the scariest films I have ever seen, said Brad Miska, Managing Director of Bloody Disgusting. Its rare you find something so haunting and raw as The Outwaters. It will make you think twice about going outside again after watching it.

My whole life Ive dreamed of making a scary movie, said Banfitch of his feature debut. Thanks to friends, family, and years of hard work, the daydreams were made tangible. We filmed in the dark and dust and along the sand-swept highways of the Mojave. We screamed and laughed and ran under dim desert moons with rattlesnakes, wild burros, bats and fire ants. That I will have the opportunity to share our work with filmgoers is a gift, and I hope everyone watches with the lights off. Films are dreams, even if theyre born of nightmares.

The Outwaters stars Angela Basolis, Michelle May, Scott Schamell and Banfitch, and features original music by Salem Belladonna. The film was produced by Beau J. Genot and Banfitch with Robert Abramoff serving as the executive producer.

The deal was negotiated by Beau J. Genot of 5100 Films and Brandon Hill, Acquisitions Manager, on behalf of Cinedigm.

Follow the film onTwitterfor updates.

We all die in the dark

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The Crypt Collection: A Nightmare on Elm Street: A retrospective into the classic horror film. – The Wood Word

When I think of horror, a multitude of sub-genres can appear in our heads from monster movies to ghost films. However, one genre that stands out to me as the craziest: the slasher genre.

From zombie killers who murder teenagers to a dream demon who kills people in their sleep, the slasher genre is defined by its schlocky feel and exploitativeness. Slashers are not expensive films to make, but if a director does them well, they will resonate with audiences and make a ton of money. For example, the original Halloween had an estimated budget of $325,000 and grossed just over $47 million.

One of the most famous slasher films is A Nightmare on Elm Street. This classic horror film directed by Wes Craven was released in 1984, making it the first of the Nightmare series. Its villain, Freddy Krueger, made his mark on the horror world and is a classic face of horror movie villains. This film has both young and old fans, showing it remains timeless. But does this film hold up to todays horror movie standards?

First off, this film is just fun to watch. While not necessarily the scariest film, it is fun and ridiculous. Modern horror takes itself too seriously at times. While this is not a bad thing, a part of me wishes we could return to the goofy yet scary films such as Childs Play andKiller Klowns From Outer Space.

Nightmare is a perfect example of scary yet goofy in the modern sense. While back in the early 1980s, this movie might have been seen as terrifying, nowadays it is a goofy 80s movie that still manages to scare at times. This is what Id call a Halloween Film. A Halloween Film is a term I coined to describe any movie that gives off Halloween vibes and a spooky atmosphere. There are specific characteristics required to make a horror movie a Halloween Film. The criteria include being scary but goofy, using practical effects, produced in the 1980s and the 1990s and a now-greatly diminished fear factor.

Nightmare fits all of these criteria. It contains very stereotypical spooky scenes such as an old school basement, a boiler room and lots of foggy streets. The film also has a ton of practical effects, such as incorporating insects and fake blood with some green goo for good measure. Practical effects are those special effects techniques that use real life components to produce the desired effect. Made in 1984, this film fits the age category. Finally, the film is not as scary as it was when it was released. The writing can be a bit lackluster at times. The synth scores define the 80s and the films age at 38 definitely shows.

Finally, its not as serious as modern horror, which can get a bit too serious. Modern horror is now about pushing out a film for as many people to see it as possible. We do have occasional standouts in the genre with filmmakers such as Jordan Peele and Ari Aster, who do amazing work. But horror is missing its fun factor.

I havent been scared by a modern horror film in years. What the genre needs to do is harness that Halloween energy of horror films of old and make something that can not take itself too seriously while still being able to give everyone a good scare.

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How The Woman Who Created The Gill-Man Was Erased By Hollywood History – The List

"The Creature from the Black Lagoon" features one of the most recognizable Universal monsters, the Gill-man. The iconic figure was tricky to play, NPR reports, with two different actors wearing the suit throughout the making of the film. The creature, who could both swim and walk on land, required a lot of work to play as an actor and even more to create. However, the legacy of his initial creator has been nearly diminished.

Milicent Patrick was the mastermind behind the creation of the Gill-man, but for decades, she was forgotten. Though her ability to construct special effects in the 1950s had inspired filmmakers like Steven Spielberg to Guillermo del Toro, her name remains virtually unknown today (per the New York Post).

A book titled "The Lady from the Black Lagoon" by author Mallory O'Meara looked to put her name back in the spotlight. During the peak of her career, she was so in demand that Universal arranged a cross-country tour for her. Why has her star faded now?

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Latest Horror News: Guillermo del Toro’s Newest Horror Flick Promises Scares As Genre Diehards Gear Up for Weeks Worth of Content – We Got This…

Photo via Netflix

Strap in, genre bloodhounds because the bone-chilling month of October is almost upon us! After patiently waiting all year long, its time for black cats, pumpkin patches, apple cider, and of course scary movies. Although, perhaps the most thrilling portion of the ever-popular spooky season here on We Got This Covered is the daily roundup of horror news! And boy, the last 24 hours have promised enormous excitement for horror fans after the spine-tingling official trailer for The Accursed has dropped while an abundance of horror content is planned for the next two weeks and beyond.

So, turn those eyes away from that Halloween decor tab on Pinterest and follow along as we delve into all of the latest horror news in the eternal genre.

As the clock gets ready to strike midnight on Oct. 1, genre diehards can hardly contain themselves from the array of spooky content that is set to release this month. From Laurie Strode and Michael Myers upcoming confrontation in Halloween Ends to Rolin Jones blood-sucking series Interview with the Vampire, fear-loving fans have plenty of content to look forward to. And considering how effective a year 2022 has already been for the realm of horror, the month of October in regards to media and television has the strong opportunity to be one of the best in years.

Modern horror master Guillermo Del Toro is back to conjure up a concoction of spooky stories that fit into the massive anthology bubble. From the looks of the eerily satisfying trailer, Del Toros terrifying project aims to showcase an intense spooktacular for eagle-eyed Netflix subscribers. And if the much-discussed hype surrounding this years spooky season wasnt exciting enough, then this latest chilling horror series is set to gravitate the collective genre to brand new heights. The wait wont be very long, either, as Cabinet of Curiosities creeps onto Netflix on Oct. 25.

Without a surprise, the premise of a movie that involves being trapped in a remote cabin in the woods is a sure-fire way to make any person on edge which is precisely the situation in the new bone-chilling trailer for The Accursed. The upcoming horror flick stars American Pie legend Mena Suvari as a family friend who calls upon the assistance of Elly (Sarah Grey) to take care of an elderly woman. However, throughout the experience, Elly begins to uncover some sinister secrets and a dark presence that will leave your bones chilled to the max.

Well see you back here on Monday, spooky aficionados, for the newest roundup of juicy horror news.

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Green watched the horror film, then went to work – The Official Home of the Dallas Mavericks – Mavs.com

Josh Green has been one of the standouts in the Mavericks first week of training camp.

Its not by accident.

The third-year swingman has set himself for this to be a major leap year for him.

Gone is the specter of COVID-19, which hung over his first two seasons and kept him from a lot of team-building and individual-improvement opportunities.

Gone is the hesitance and the lack of confidence.

And, mostly, gone is last seasons forgettable playoff run.

Green said on Friday that he forced himself to watch the horror-show tapes of his postseason, when his production (and subsequently, his playing time) shriveled up.

As much as I didnt want to watch it, I watched it many times, Green said after a lively practice session. Its hard to watch, but at the same time, its a learning curve. I think you have to watch everything, the good and the bad. And obviously, that was bad. So . . .

So he went to work this summer. He spent virtually all summer in Las Vegas working with his personal trainers and Miami Heat guard Kyle Lowry, among others who base themselves in Las Vegas during the summer.

The hope, coach Jason Kidd said, is that Green and/or Frank Ntilikina can become the secondary ball-handlers behind Luka Doni and Spencer Dinwiddie.

Joshs work is paying off, Kidd said. I think if you ask him, his summer was big, he worked with the coaches and spent some time on his game. And you can see the payoff. But I think its just the tip of the iceberg for him. Hes just starting. Hes playing at a high level and thats good because we need him.

And it started with owning up to the playoff failures. Green averaged just 7.6 minutes in the postseason, less than half of his regular-season playing time. And he shot under 29 percent. He basically was a non-factor after a 12-point, six-rebound showing in Game 3 of the first round against Utah.

Its also him being honest with you guys (media members), saying that it was tough to watch, Kidd said. But the big thing is you learn.

Hes answered that question: what did he learn from the playoffs? And thats that theyre going to put the center or the non-defender on him. Hes worked on his game shooting the 3 extremely well, handling the ball, being able to make plays.

Kidd added that he was once in that position.

I was old so they did put the five (center) on me because I couldnt move, he said. Just being able to share that with him thats going to change, because hes going to make them pay for it.

Green said he knows this is a big season for him. The Mavericks have a need for more playmaking after the exit of Jalen Brunson to New York in free agency.

So his biggest point of emphasis is pretty clear.

The more I improve my game, the more its going to help out the team, he said. And thats my goal, to help the team out as much as I can, whatever it is. I just want to make sure I can go out there and be a force.

Ballhandling was my biggest thing, being comfortable having the ball in my hands and creating my own shot. I havent been confident, I think, in games. I just need to be consistent with my shot.

And, the workouts this summer with Lowry were a help in learning how to manage his talent.

Sometimes, its just like: slow down, Green said. Kyles very good at pace. So coming off screens and being able to slow down and see the floor, and just play the game. Playing with him one-on-one and a bunch of other guys helped me slow my game down.

Somebody whos been in the league for, what, 17 years? Hes got so much knowledge. I was 3 years old (when he started), so I learned a lot.

Fan Jam on Saturday: The annual Fan Jam is at noon on Saturday, with doors opening at 11 a.m. at American Airlines Center.

Kidd said Friday that all 20 players will be available to participate in the scrimmage that will be played in front of the fans, including Luka Doni.

Were ready, Kidd said. Well practice. And then well go have a scrimmage in front of the fans. Just another day at work.

As for how the first week of camp has gone, he said: Its been great. The energy has been off the charts. Guys are competing, helping one another. Its been really, really good.

The Mavericks have their first preseason game Wednesday against Oklahoma City in Tulsa.

Summer of St. Jean: Not to say that assistant coach Greg St. Jean was a world traveler this summer, but he did enough globe-trotting to have a T-Shirt printed up about his adventures.

The Summer of St. Jean T-shirts made their debut Friday at practice.

St. Jean spent time in Germany and numerous other places, as well as taking part in the movie Hustle and trying to mix in a little personal time.

We thought wed have some fun with that, Kidd said, who said he was not responsible for the T-shirts. Im blaming (assistant Sean) Sweeney. Im not taking credit for this. Sweeney did that.

St. Jean, by the way said: No way. I can guarantee you I didnt have anything to do with the shirts.

Twitter: @ESefko

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‘Hocus Pocus 2’ star Doug Jones says when he first arrived on set, ‘it was as though Elvis had risen from the dead’ – Yahoo Entertainment

(Photo: Getty Images/ Everett Collection)

When the cult classic Hocus Pocuswas filming, actor Doug Jones, who plays kindhearted-ish zombie Billy Butcherson, remembers being intimidated to be working with stars Bette Midler, Sarah Jessica Parker and Kathy Najimy. It was still early in his career he only had a handful of credits over five years so he simply felt lucky to be there.

Things were a little different when the same cast members filmed Hocus Pocus 2, which landed on Disney+ Sept. 30, 29 years-plus years after the original hit theaters.

"When the Sanderson sisters arrived on the set filming Hocus Pocus 2 last year, it was as though the Beatles had returned," Jones tells Yahoo Entertainment. "When Billy Butcherson showed up on the set for the first day, it was as though Elvis had risen from the dead. Our crew, everyone in every department, were these youngish [people] anywhere from their 20s to their 40s who had come up with the original Hocus Pocus movie, have been fans of it all these years, and now they're getting to work on a sequel. And these original characters are coming back looking exactly the same."

There were a lot of people working on the production who asked for selfies.

It's part of the "lovely evolution" Jones has seen happen over the decades since the movie was released in July not even September or October of 1993 to modest box office returns. Jones first noticed it on the fan convention scene. He's attended them for 15 years because of his well-earned reputation as a creature man, thanks to his work not only in the Disney movie, but because of the sometimes scary, sometimes scaly characters he's played in projects such as The Shape of Water; the Hellboy movies; Pan's Labyrinth; Star Trek: Discovery and What We Do in the Shadows.

"When I started, people would look at the pictures on my table and say, 'Oh' and they would point to Billy Butcherson. They'd say, 'Oh, yeah, I remember him. That was you?'... And they would get another picture of mine from something else," Jones says. "That has evolved into Billy Butcherson is now a top seller."

Story continues

Fans want a photo with Winifred Sanderson's ex, and a signed one, to add to their Hocus Pocus collection.

Doug Jones plays Billy Butcherson in Hocus Pocus 2. (Photo: Matt Kennedy/Disney+/Courtesy Everett Collection)

Jones says his role in the cult classic helped to establish him as a guy that special effects makeup artists could put anything on. This despite that when he first came to Hollywood, he thought that he would be a "goofy next-door neighbor" type. He found himself auditioning to play monsters because he had training as a mime and a contortionist.

Jones admits that he doesn't even like scary movies in his off time.

"When I've been playing dark characters, let's say I'm playing a villain or a monster and something evil or dark, or I'm the devil incarnate in human form, and I'm eating someone's face and damning them to hell, when I'm doing that all day on a set; When I get home, I turn on the Hallmark Channel," Jones says. "I watch fluffy Christmas movies and, you know, predictable storylines, happy endings, where all the ends are tied up. I love, love, love to watch that, because it's a nice relief from the darkness I've been living in all day."

Doug Jones appears in Pan's Labyrinth. (Photo: Picturehouse/courtesy Everett Collection)

When it came to playing Billy again, though, Jones says he was thrilled.

"Watching myself transform from Doug Jones into Billy Butcherson again for the first time was a rush of many emotions," he says. "One was just utter surreal, 'I cannot believe this is happening.' The other was, 'Old friend, I have missed you,' and the other is, 'Oh my gosh, the kids are gonna wet themselves when I walk out of this trailer.'"

The costume he wore had been recreated by the wardrobe department, because his old one was no longer in good condition. But there was one thing that was exactly the same.

"The one piece that is from the original movie is the wig, that big black hair, the ponytail and the wild, messy beyond-the-grave look," Jones reveals. "That had been sitting on top of the mannequin [at producer David Kirschner's house, with other Hocus Pocus memorabilia] for 30 years. And that was still in pristine condition, so they took it off the mannequin and put it right back on my head again."

Billy Butcherson wears his wig in the original Hocus Pocus. (Photo: Instagram)

Just as exciting to Jones was being able to once again act big. As he sees it, Billy and the witches are like cartoon characters.

"We're over-the-top big with everything," Jones says. "And, as a person, I'm pretty expressive. I flap my hands when I talk, I make facial expressions when I talk. And so much of my acting career has been, like, 'A little bit less, thank you.' But in this movie, 'Cut. A little bit more. Play with it. Go.' You know, and what a treat that is, right?"

He also gets to, ahem, vamp it up on his current horror comedy What We Do in the Shadows, which is a mockumentary about a group of vampires who've lived together on Staten Island for more than a century. He plays Baron Afanas, whom he argues is very unlike Billy Butcherson.

"They both have their own, their own ecosystem. Their own sense of humor and their own silliness. Their own, you know, buffoonery," Jones says. "But they're different from each other. Because Billy is kind of angry about his past, he's angry about his present.... He's pissed all the time. But he does have a heart of gold in there, somewhere. The Baron is an old-school vampire from the Old World who thinks he is just the most magnificent thing in the world. And he's just happy to live and flourish and to throw his arms in the air and say [in vampire voice], 'I'm here!' That's something Billy would never do."

Doug Jones, left, plays the Baron Afanas on What We Do in the Shadows. (Photo: YouTube)

Jones adores the show, which aired its fourth-season finale this month, and he was happy to hear that it's already been renewed for two more seasons. He's already been asked to appear in a Season 5 episode.

He's open to playing more Billy, too.

"Well, you know, even after the first movie, you thought, 'OK, the witches are gone and so is Billy.' But they found a way to bring us back 29 years later, so I never say never," Jones says when asked whether he would consider putting the wig back on. "It seems improbable that we could come back and do a Hocus Pocus 3, with all of us, but also at the same time, if anyone could find a way, it would be Disney, to revive one or all of us... No one's talked to me about it. I don't know what possibilities are out there, but I would always say, 'Let's have a look at that,' if offered. Absolutely."

Hocus Pocus 2 is currently streaming on Disney+.

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Nursing School Collaborates with Nursing School in The Philippines – Boston College

The Connell School of Nursing and Xavier University-Ateneo de Cagayan College of Nursing in the Philippines have signed a Memorandum of Understanding that formally brings together the nursing schools of two prominent international Catholic, Jesuit universities. The agreement is designed to support and facilitate collaboration between the nursing schools for academic and research engagement.

The MOU was signed at the close of the last academic year by Barry Family/Goldman Sachs Endowed Professor in Nursing and Associate Dean for Research Christopher Lee and Xavier UniversityAteneo de Cagayan President Mars P. Tan, S.J. Founded in 1933 and located in Cagayan de Oro, Philippines, Xavier Ateneo enrolls more than 13,000 students, forming leaders of character for the needs of Mindanao, the Philippines, and Asia-Pacific.

We hope to learn from Boston College and share our best features and practices as well, said Fr. Tan. I am confident the collaboration will be fruitful for both institutions.

CSON faculty involved in the discussions say their Xavier Ateneo counterparts are interested in online teaching, expanding the use of nursing simulation, and developing a foundation for research, among other topics. Student and faculty exchanges have also been discussed.

Connell School Associate Professor Corrine Jurgens will work on developing a research capacity series for Xavier Ateneo faculty that will include forming programs of research, ethical review of projects, and collaboration/guidance on publishing and dissemination.

Once research interests are determined, she said, we will be working on writing a state-of-the-science paper(s) for publication. These papers will assist in identification of gaps in knowledge and direction for future research.

I foresee [Connell School] research faculty outlining the evolution of their programs of research followed by development of research teams to build a collaborative international research relationship.

Steven Constantine | Connell School of Nursing | September 2022

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The Terrifying, Terrific Horror Movies of 1972 – Nerdist

In 2022, we got a slate of great horror movies from X and Pearl to Glorious and Barbarian. What a lovely year for scares. And theres no time like now to look way back to a classic horror year with amazing and scary (though often underseen) films that came out fifty years before these films. Who knew 1972 was also such a good year for horror? Here are some of our favorites from the barrage of boo that hit the screens in 72.

The early 1970s were resplendent with giallo movies, the Italian mystery-thriller cycle that began to merge with horror in dark and interesting ways. Director Sergio Martino made five of these films in the early 1970s, and the spookiest of those is All the Colors of the Dark. It takes the murder mystery and gives it an infusion of psychedelia and witchcraft. You truly cannot beat raven haired actress Edwige Fenech in her prime, nor can you beat Bruno Nicolais electrifying score.

In the 1950s and 60s, Hammer Films were the unstoppable in the realm of British horror. By the 1970s, however, they struggled to keep up with mainland Europe and America. In the UK, upstart Amicus Films took the top spot with a series of anthology horror films starring the likes of Lee and Cushing. Asylum was one of two such movies in 1972. This one sees a potential new head physician at a mental hospital listening to the terrifying and unbelievable stories of the patients. The orderly wagers he cant figure out which of these patients is the former head physician.

The Blaxsploitation movement in the early 70s brought Black culture to the mainstream, and also gave us several traditionally white film types through a Black lens. One of these latter type movies that absolutely shouldnt work is Blacula, cleverly an African vampire prince instead of a Transylvanian one. Despite the silly name and exploitation vibes, Blacula is a surprisingly creepy, romantic horror flick. And it features character actor Thalmus Rasulala, maybe the coolest name in history.

Before Black Christmas, Porkys, and A Christmas Story, director Bob Clark made a weird little spooky comedy with a silly name. A theatre troupe go to an abandoned island for a mock satanic ritual. Always a good plan. While they spend most of the runtime bickering and boinking, their insufferable leader (co-writer Alan Ormsby) actually manages to raise the dead. Oops. The final act of this movie is truly gnarly zombie carnage.

Lucio Fulci is the king of Italian splatter with his 80s offerings Children of the Living Dead, The Beyond, and House by the Cemetery. But in the late-60s through the late 70s he made a number of different kinds of movies, like westerns, sex comedy, and, as in this case, giallo. This tale, of a rural Italian town beset by unsolved child murders, is one of the darkest of the genre. Fulci picks apart provincial superstition and prejudice while showing us grisly violence and lost innocence. Fun!

Remember when I mentioned Hammer Films earlier? This was the kind of thing they were doing in the 70s. The penultimate appearance of Christopher Lee as Dracula for the company, this one moves from the moody Gothic period films of the series into sexy, swinging modern day London. Its a weird movie, to be sure, and the supremely gaunt Peter Cushing cant quite perform as the action hero Van Helsing he once was, but its pretty fun regardless. And has a killer theme tune.

Speaking of Lee and Cushing, they got to team up for real in another movie in 1972. (Thats three already just on this list!) The Spanish-produced Horror Express takes place entirely aboard the Trans-Siberian Express in the late 1800s as rival scientists Lee and Cushing have to contain a monster. Lee has brought a block of ice with a prehistoric ape onto the train for research. So youre thinking, oh I bet the giant ape wakes up and gets loose on the train. Not quite. The ape is actually host to a sinister alien lifeform which takes over peoples brains. So its like Victorian The Thing. Its rad as hell, trust me.

The late Wes Cravens legend looms large on the horror world. A Nightmare on Elm Street and Scream will never not appear on peoples yearly best-of horror lists and marathons. But we mustnt forget his first film, made with heavy Vietnam-era frustration and downbeat attitude. A loose adaptation of Ingmar Bergmans The Virgin Spring, The Last House on the Left features a lengthy, brutal torture and murder sequence of two innocent young girls, and thats only halfway through the movie. When the psychotic group of killers arrive at one of the girls parents house, things get even rougher.

I have a real love-hate with Brian de Palma movies. Like, dude, just admit youre ripping off Hitchcock, its fine! Everybody does it. Despite that, I cant deny hes very adept at suspense and weirdness. His 1972 thriller mixes a Rear Window set-up (reporter swears she saw a murder across the street) with psycho-supernatural twin stuff. De Palma begins his fixation with split-screen here as well, which is definitely a trademark to have. Margot Kidder plays the titular twins and she is dynamite.

Tother Amicus anthology film to come out in 72, this one adapts several stories from the classic E.C. horror comics. This is one of the more moody and gloomy of Amicus bunch (probably because it was shot entirely in overcast England). A group of strangers find themselves in a strange cave where a hooded man tells them why theyre there. This leads into each story, wherein not good people find their comeuppance. Stories include a woman who murdered her husband at Christmas only to be menaced by a lunatic in a Santa suit; a military taskmaster takes over a home for blind veterans who dont take kindly to their new treatment; and an adulterer who desperately tries to get to his mistress following a car accident.

The best story hands down is Poetic Justice in which the horrible rich people trying to force a kindly old widower (Peter Cushing) out of his home and very quickly wish they hadnt.

Euro-horror of the 60s and 70s is some of my very favorite. The tone, the style, and the premises are so fascinating. This Spanish film checks the boxes on just about all of them. A trio of young peopletwo women and a menaboard a train to the country find themselves menaced by mummified Knights Templar from the Crusades who have no eyes and hunt via sound. Its such a weird little movie but incredibly effective and gruesome.

Honorable mention goes to other movies turning 50 this year. Godzilla vs. Gigan is a ton of fun; Night of the Lepus is about giant killer bunny rabbits; The Red Queen Kills Seven Times is another excellent Gothic giallo with a scary masked murderer; Alfred Hitchcock himself made the giallo-inspired Frenzy; and who doesnt love backwoods banjo nightmare of Deliverance? Darn good movies all around!

Also theres the 1972 British horror movie The Asphyx which I dont think is a very good movie but has an amazing trailer.

Kyle Anderson is the Senior Editor for Nerdist. You can find his film and TV reviews here. Follow him on Instagram and Letterboxd.

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The Terrifying, Terrific Horror Movies of 1972 - Nerdist

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