Predictable is one of the most damning words in film criticism. As a reviewer of filmsand as a filmgoer in generaltheres nothing worse than when a movie goes exactly where you think it will without any nuance or fun along the way. Enjoying the ride is one thing; guessing correct so many times you should get a screenwriters credit is another. So thats why movies like director Alister Griersons Bloody Hell are so welcome. At no point in the entire 95-minute runtime was I exactly sure what was going on. For better or worse, it absolutely keeps you guessing.
Its hard to even tell from the trailer exactly whats going on, and that too is toBloody Hells benefit. Is it an action-comedy? A gritty horror film? Is it a trippy John Dies at the End kind of experience? The answer is kind of all of the above and none of the above. Indescribable is also not really apt. But because we cant really glean exactly what were watching, tropes-wise, we find ourselves just letting the story wash over us as we go from one hyper-violent set piece to another.
The story follows Rex (Ben OToole), a retired military guy of some sort who, following a robbery at a credit union, finds himself on trial for his actions in thwarting the assailants. Cut to eight years later. Rex is freshly out of prison and looking to get away from the paparazzi. At seemingly random, he chooses Finland as a destination and almost immediately a family of psychopathic Fins capture him, chain him up in a basement, and get him ready for dinner. Think of it as the Finnish Chain Saw Massacre.
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But its not entirely bad for ol Rex. He has two people to talk to. One is Alia (Meg Fraser), the seemingly innocent and gorgeous young daughter of the family. Because of course. And the other is himself. Rex has long conversations with his inner self, his conscience, or whatever you want to call it. The upshot is, OToole does most scenes in the movie opposite himself, one of which is shirtless almost the whole time. Its impressive, in every aspect.
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Really there are two different main plots at work in Robert Benjamins script. One explores the reality versus the perception of Rexs takedown of the robbers. It touches on, but never fully delves into, his clearly scarred psyche and his innate bloodlust. Just because hes effectively saving people doesnt immediately make him a hero.
This story weaves in and out with the survival horror plot of Rex chained up in the basement waiting for the Finns to do something to him and trying to make his escape. This plot is the much more pedestrian, at least for awhile, but it has some absurdly over the top horror stuff. There are a few twists I wouldnt dream of spoiling because, like I said, not knowing whats going on his half the fun. Maybe even more than half.
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Ultimately while I do thinkBloody Hell is fun for the popcorn gorehound entertainment it tried to be, I also cant help feeling the character of Rex is kind of reprehensible. He shouldnt be the hero of a movie. But maybe thats the point. This guy definitelyis the hero of this type of movie; since we get to know how his mind works, we realize he really isnt all that heroic. Its only down to OTooles all-in performance that we like Rex at all, and its on his (immaculately shaped) shoulders Bloody Hell rests.
Very strange, quite enjoyable, and a nice little well-shot indie flick. Better than it should be, and definitely never predictable.Bloody Hell is now playing at drive-ins and on demand.
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Kyle Anderson is the Senior Editor for Nerdist. You can find his film and TV reviews here. Follow him on Twitter!
Originally posted here:
BLOODY HELL Is a Pretty Fun and Very Weird Horror Flick - Nerdist
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Reviewed and Recommended by Erik Baquero