Kids Slay The Darndest Things | Spanish Cult Film Who Can Kill A Child? – HeadStuff.org

Who Can Kill a Child? is one of the coolest discoveries Ive ever made. Its a cult classic, but not so much of a cult classic that its really a cult classic in name only. At the book shop I work we used to have a cult classics display. This display featured such underground titles as 1984 by George Orwell, and The Great Gatsby by F. Scott Fitzgerald. If we sold DVDs, Im sure wed have featured Fight Club (we had the book on there) or Pulp Fiction. But we would not have featured Who Can Kill a Child? There would have been a solitary copy of it, tucked away on a dusty shelf, and the only way you could have discovered it was by pure chance. Although to be honest, thats a much more pleasurable way to encounter art.

As for me, I found Who Can Kill a Child? on a very legal website, one of those websites defined by its absolute, unquestionable legality. It is not a movie I would have watched had it not been free on this website (as, curiously, were all the other myriad films and TV shows featured on there). Obviously, something is much more disposable if you havent made a financial investment in it, and I was contemplating giving up on Who Can Kill a Child? until about half an hour into the film.

It starts with a long-ish, gratuitous sequence of real life footage of children who have had their lives ruined by war. Theres footage from the Holocaust, theres the famous naked girl fleeing napalm in Vietnam, theres malnourished, skeletal children from the Nigerian Civil War, bug-eyed, bellies distended. Its horrible, and unnecessary to make the obvious point that, yes, children are the innocent victims of adult conflict. Once youve got through that and the actual movie has begun, a middle class English couple, on holiday before the birth of their third child, amble through the bustling Spanish town of Benavis. They decide its too busy for them, and decamp to the isolated island of Almanzora, hoping it will be quieter. It certainly is that, but have you ever noticed that you have to be rather careful what you wish for in horror films?

What I particularly liked about Who Can Kill a Child? is the specific way it draws horror from children. The extended horror film universe is densely populated with spooky youths, but I dont remember ever seeing a movie where the children took such a, well, childlike pleasure in being evil. Im determined not to spoil anything significant from this film, but hopefully you wont be furious if I note that theres a scene where a child kills an adult. Said scene features a girl, around 9 to 12 years old, battering an old man to death with a walking stick while giggling as if she was playing the most delightful game. It is a striking, troubling moment. It makes the opening sequence of real life horrors seem all the more pompous and irrelevant.

This isnt a film in which children kill adults for revenge. This is a film in which children kill adults for no good reason. They go mad (and once theyve gone mad, gain the ability to hypnotise other kids into joining them), and decide that maiming people would make for tremendous hijinks. For me, that sort of violent ordinariness is much more terrifying than the demonic children you find in other movies. Its more plausible, and rooted in the way children actually behave day to day. Theyre just significantly more bloodthirsty than they usually are.

I am very fond of pontificating about how irritating children are. Im not a fan. Yet I actually have a lot of respect for the killer children of Who Can Kill a Child? Their quiet malevolence and hyena mentality make them formidable, brilliant villains. They dont behave like absolute fucking idiots, like real children do. Theyre not selfish or whiny. Theyre a formidable team. They go about the job of slaughtering their parents with a minimum of fuss, while still doing so in a way that seems appropriate for a bunch of 10-year-olds.

Their menace is only enhanced by the fact that you dont actually witness much of the violence in this film; its all done off camera. Even when the girl murders the old man, we dont witness any stick on skin action. Instead, we get a close up of her delighted face, and hear the thwacks of impact. Theres another great moment where a child tricks her father by approaching him in floods of tears, and then when they disappear round a corner together we hear a blood curdling scream from him. Its properly frightening. There are times when the film could have been even more frightening had it been more willing to show acts of violence, but on the whole its approach works well. The best horror is always in the unseen, dont you think? Really lets the mind wander.

As much as the supporting cast of kids are all excellent, Who Can Kill a Child? could still have been a bit silly had it not been for excellent performances from its lead actors, Lewis Flander and Prunella Ransome. They both radiate decency. Their performances are natural and understated, and they come off as a likeable, young-ish couple in a horrifying situation.

I understand that director Narciso Ibanez Serrador was impressed by Ransome but wasnt such a fan of Flander. I dont know if that refers to his performance, or whether they didnt get along, but either way its a shame because Flander particularly is so good in this. He has this quiet steel and authority about him, which compliments his urbane demeanour. Hes like a very cool liberal 70s Dad. Id imagine if you were his child (and werent brainwashed into murdering him), youd feel like hed be relaxed about you smoking marijuana, but then when he found out hed actually be quite cross. But he wouldnt lose his temper, hed just tell you he was disappointed. Does this analogy make sense outside of my head? Perhaps not.

Anyway, the point is, Flander is great, and Ransome is great, and Who Can Kill a Child? is great. Even the ending is killer; a lot of otherwise good scary movies have not-so-good endings, because a lot of the joy and horror in horror comes from not knowing what the fuck is going on. The dizzying feeling of there being limitless, dreadful possibilities is weirdly addictive. So when the mystery gets resolved, even if the resolution is pretty frightening, it seems underwhelming. But (again, no spoilers) Who Can Kill a Child? ends on such an ominous note, with a particularly exquisite final line, that youll be feeling uneasy long after the credits roll.

My knowledge of Spanish horror films from the 1970s is sub par. Its not like my knowledge of Portuguese horror films from the 1970s, a subject in which I am widely recognised as the worlds leading expert. Who Can Kill a Child? was such a magnetic watch, however, that I now want to do a deep dive into, at the very least, Narciso Ibanez Serradors work. Wikipedia suggests he helmed another horror movie in the late 1960s called The House That Screams, and also directed an anthology TV series which I suspect sadly hasnt been translated into English.

Once all this social distancing is over I cant wait to drop his name into casual conversation with pals, and then be all like oh youve never seen any of Serradors masterpieces? Oh you really must, oh hes so wonderful, I have wonderful taste, please respect me. Even if you dont plan on doing the same though, I still recommend Who Can Kill a Child?Ive never seen anything quite like it, and it is so worth investing a couple of hours of your time in.

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Kids Slay The Darndest Things | Spanish Cult Film Who Can Kill A Child? - HeadStuff.org