Five years ago, in this paper, I coined a term to describe what I saw as a new trend in horror movies: post-horror. Bad idea. To me, the term had a nice ring to it a bit like postmodern. And in the same way postmodern architecture played with established language and traditions without necessarily sticking to the rules, I suggested a number of recent horror movies were doing the same: movies such as It Comes at Night, A Ghost Story and The Witch. The horror community wasted no time in telling me how wrong I was. Responses to my article varied from Its all just horror, duh to This is elitist snobbery to You cant possibly weigh on this subject because you havent watched as many horror movies as I have.
All Rose is really saying in his article is I dont like horror, so these particular films must be something else, argued one online article, which concluded: using platforms of cultural gate-keepership to denigrate a persistently rich and popular genre with little mind to nuance is more than simple cultural distinction, its shoddy journalism. Well that was me told. I hadnt experienced such vitriol since my two-star review of the World of Warcraft movie.
I wasnt really trying to plant a flag and say: I have discovered this hitherto unmapped realm of horror. Nor was I looking down on the rest of the horror canon. I love horror movies the trashy, gory ones as much as the refined arthouse ones. Im old enough to have misspent my youth rewinding and replaying in slo-mo the exploding head scene on a video copy of David Cronenbergs Scanners. I was just putting out a term to describe something, and seeing if other people liked it. A lot of them didnt, it turned out, but some did. I get regular inquiries about the concept of post-horror from film students. Recently, I came across an academic book titled Post Horror: Art, Genre and Cultural Elevation, written by David Church, a postdoctoral fellow in gender studies at Indiana University. And this month, the Barbican cinema in London launches a series of Post-Horror Summer Nights, featuring some of the films I discussed in my original piece.
Neither Churchs book nor the Barbicans film season apply the term in exactly the way I meant it. In fact, Church dismisses mine as one of many flawed attempts to name a corpus of recent films, alongside other terms such as smart horror or elevated horror basically telling me Im using my own definition wrongly. But then I never really laid out a rigid definition at the time. Now post-horror is even more of a thing, perhaps I ought to.
It began with an interview with the film-maker Trey Edward Shults in 2017. Then in his late 20s, Shults had just released his accomplished second film It Comes at Night. The title suggests something you might find on a grindhouse double-bill alongside, say, Night of the Living Dead or Blood Sucking Freaks. And Shultss film does incorporate some classic horror elements: a post-apocalyptic scenario, a cabin in the woods, violent deaths, ominous noises on the soundtrack and suspenseful tracking shots. But the It of the title is not a monster, a virus or anything definable. The film is more ambiguous than that, examining matters of tribalism, paranoia, family and fear itself. It was released on more than 2,500 screens in the US, and mainstream audiences hated it. It got a D CinemaScore, and plenty of worst movie ever reactions online.
I didnt set out to make a horror movie per se, Shults told me, explaining how the movie was informed by the recent death of his father, among other things. I just set out to make something personal I put a lot of my own fears into it. And if fear goes to horror then, yeah, its horror. But I dont think its a conventional horror movie.
When I told Shults I was tempted to describe it as post-horror, he replied: Sure! I love that.
I had noticed other films around that time that were doing similar things. Robert Eggers The Witch, for example, a folk horror set in the 16th century that seemed more interested in historical authenticity than jump-scares. Again, it got terrible audience scores initially, from punters who were presumably expecting a straight-up horror flick. Or Nicolas Winding Refns The Neon Demon, which collided vampires and occult symbolism with the modern fashion industry. Or Olivier Assayass Personal Shopper, which incorporated supernatural elements into a story of grief and dislocation, without really playing as a horror movie. Or especially David Lowerys A Ghost Story. This film does feature a ghost complete with white sheet with two cut-out eyeholes but nobody can see it so it isnt that scary. I wanted to engage with the archetypes and iconography of ghost films and haunted-house movies without ever crossing over into actually being a horror film, Lowery told me at the time. That pretty much sums up the post-horror mode.
Looking around, I saw other films I could put in the post-horror basket. The works of Peter Strickland, for example. His magnificent Berberian Sound Studio, from 2012, is steeped in the trappings of pulp 1970s Italian horror film-making, whose iconography spills over into the main narrative centred on Toby Joness increasingly disturbed foley artist. Is it a horror movie itself? Not exactly. Likewise, Stricklands 2014 follow-up The Duke of Burgundy, which paid stylistic homage to erotic 70s horrors such as Vampyros Lesbos but twisted them into something altogether stranger.
By definition, film genres have rules. But to an extent, most great horror movies subvert these rules, or use them to broach subjects society finds it difficult to deal with head-on. But lets also be honest, a great many horror movies just rehash familiar tropes to the point of cliche. Horror is one of the few genres that can still generate box office returns for minimal outlay in todays squeezed movie landscape. Even if only one in 10 is a hit, you can still turn a profit. So you dont have to be an elitist snob to notice that weve had a lot of rubbish horror movies foisted upon us in recent years.
Another downside of todays movie landscape is that it is even harder for budding auteurs seeking to make their name. So horror is a way of getting through the multiplex door. When you listen to film-makers such as Shults or Eggers or Ari Aster, director of Hereditary and Midsommar, each of whose films were distributed by A24, their heroes arent horror masters such as Sam Raimi, Dario Argento or George Romero, theyre arthouse directors like Ingmar Bergman, Roman Polanski and Robert Altman all of whom made movies that could fit into the post-horror category, as it happens.
Eggers drove the point home when I interviewed him for his movie The Lighthouse in 2019. A trippy, black-and-white two-hander, it had elements of horror allusions to Edgar Allan Poe, mermaids, sea monsters but it was far from an out-and-out horror movie. Eggers talked about how difficult it is for any film-maker in todays climate to get an unconventional, personal film funded. But the industry is more willing to back something if it fits into a genre, especially horror. They knew that The Lighthouse was more of an arthouse movie than anything else, said Eggers, but they also knew they could lean on the horror aspects to market it, which helped.
Many of these film-makers have moved on. Eggers has since shifted to epic action fantasy with The Northman, Shults traversed into artful teen drama with his most recent film Waves. Lowery made the Robert Redford thriller The Old Man and the Gun before returning to post-horror territory with last years The Green Knight, a dark, mystical, violent Arthurian tale combining fantasy and horror.
Whatever your feelings about the label post-horror, we can surely agree something extraordinary was happening in cinema in the mid-2010s. In addition to the movies above, the years 2014 to 2018 also gave us It Follows, The Babadook, Raw, Split, A Girl Walks Home Alone at Night, Under the Shadow, Green Room, A Quiet Place and Jordan Peeles phenomenal Get Out. Plus, entertaining franchises such as The Conjuring, Sinister and The Purge cleaning up at the box office. Is it too soon to look back on it as a golden age?
For me, many of the aforementioned films are more conventional horror than post-horror, in that they set up traditional genre expectations and fulfil them. But then, what are the boundaries? How much can you subvert the rules before youre not in the genre any more? Who decides? Clearly not me. But that is the grey area I was trying to give some definition to. I dont mind if people adopt the term post-horror, reject it or adapt it to mean something else entirely which is kind of whats happened. Perhaps my fellow film writer Matt Zoller Seitz put it best, a couple of years ago, on Twitter. Weighing in on a similar debate over the term elevated horror, he wrote: Elevated horror is like an artisanal cheeseburger. Make the goddamn cheeseburger. If its delicious, nobody will care what adjective you put in front of it.
Post-Horror Summer Nights begins at the Barbican cinema, London, with It Comes at Night, introduced by Steve Rose, on 4 August
See the article here:
I called it post-horror and now Ive created a monster - The Guardian
- The Black Phone To The Sadness: 11 Of The Best Horror Movies Released In 2022 Till Now - Augustman Malaysia - September 24th, 2022
- 7 New Horror Movies Releasing This Week Including 'Don't Worry Darling' in Theaters - Bloody Disgusting - September 24th, 2022
- Underrated Horror Movie of the Month: THE BELKO EXPERIMENT - Geek Girl Authority - September 24th, 2022
- Barbarian, Pearl, and Why Its a Great Moment to Be a Horror Fanatic - Rolling Stone - September 24th, 2022
- The Boys star's horror movie gets rave first reactions - Digital Spy - September 24th, 2022
- Raw, The Perfection, and the 12 most disturbing horror movies on Netflix right now - Netflix Life - September 24th, 2022
- There is a cycling horror movie coming, and I have never been more excited - CyclingTips - September 24th, 2022
- Welcome To The Hellfire Club: 10 Horror Movies STRANGER THINGS' Eddie Munson Would Have Loved - Nightmare on Film Street - September 24th, 2022
- Finnish Horror Movie 'The Knocking' Set to Arrive in Early 2023 - Bloody Disgusting - September 24th, 2022
- A brilliantly scary horror movie is among the movies on TV tonight - JOE.ie - September 24th, 2022
- The Pyramid - Was Found Footage Horror Movie Really That Bad? - Bloody Disgusting - September 24th, 2022
- This Polarizing Horror Movie Is Still Splitting Opinions Online - We Got This Covered - September 24th, 2022
- Alex G on Fireworks, Faith, and Horror Movies - Interview - September 24th, 2022
- What Are The Best Horror Movies Set In The State Of Texas - klaq.com - September 24th, 2022
- SCANNERS: New HBO Series Based On David Cronenberg's Head-Popping Horror Movie In The Works - FearHQ - September 24th, 2022
- A Sleeper Horror Flick's Word-Of-Mouth Buzz Projected to Overtake 'Don't Worry Darling' - We Got This Covered - September 24th, 2022
- 10 Deep-Woods Horror Films To Get Lost In This Autumn - Dread Central - September 24th, 2022
- 'Spin the Bottle' - Justin Long and More Join Supernatural Horror Movie - Bloody Disgusting - September 16th, 2022
- 30+ Best Horror Movies on HBO Max Creepy Catalog - Creepy Catalog - September 16th, 2022
- 7 New Horror Movies Releasing This Week Including Ti West's 'Pearl' - Bloody Disgusting - September 16th, 2022
- Peep these 15 new horror movies to prep for Halloween, from 'The Curse of Bridge Hollow' to 'Pearl' - USA TODAY - September 16th, 2022
- Barbarian review: One of the most surprising horror movies of the year - FOX 5 New York - September 16th, 2022
- Smile Film 2022: Release date, cast and trailer of horror movie - The Scotsman - September 16th, 2022
- Queen Latifah's End of the Road Is a Horror Movie about MAGA Country - The Portland Mercury - September 16th, 2022
- Children of the Corn (1984) Revisited Horror Movie Review - JoBlo.com - September 16th, 2022
- 30 New Horror Movies You'll Be Able to Watch for Halloween 2022! - Bloody Disgusting - August 31st, 2022
- 'The Inhabitant' - Odessa A'zion Horror Movie Coming to 100 Theaters This October - Bloody Disgusting - August 31st, 2022
- 5 New Horror Movies Releasing This Week Plus 'Jaws' Comes to Theaters in 3D for the First Time! - Bloody Disgusting - August 31st, 2022
- 'Nanny' Trailer - Sundance Horror Hit Comes to Theaters and Amazon Prime Later This Year - Bloody Disgusting - August 31st, 2022
- The horror movie thats like Tolstoy, but with more blood - Sydney Morning Herald - August 31st, 2022
- The Number 1 Earner at the Box Office Is A Horror Movie Heres Why Thats Bad - Dread Central - August 31st, 2022
- 'Men': Visual Effects Supervisor David Simpson Breaks Down the Shocking Body Horror Climax [Interview] - Bloody Disgusting - August 31st, 2022
- The Hills Have Eyes Part 2 (1985) WTF Happened to This Horror Movie? - JoBlo.com - August 31st, 2022
- Every Kevin Bacon Horror Movie, Ranked - We Got This Covered - August 31st, 2022
- 19 Reactions To The New Blumhouse Horror "They/Them" That Will Either Make You Want To Watch It Or Avoid It - BuzzFeed - August 31st, 2022
- The Last House on the Left at 50: Wes Cravens shock horror retains its power - The Guardian - August 31st, 2022
- 'Who Invited Them' Review Witty Horror Comedy Introduces the Neighbors from Hell - Bloody Disgusting - August 31st, 2022
- Mem Ferda produces terrifying road trip horror movie THE FEARWAY - Film News - August 31st, 2022
- Immortality: The Kotaku Review - Kotaku - August 31st, 2022
- The 15 Best Films Coming to Amazon Prime in September 2022 - The A.V. Club - August 31st, 2022
- The Invitation: R-rated cut of Nathalie Emmanuel horror film will be streaming - JoBlo.com - August 31st, 2022
- Chilled-Out Horror Stans Sound Off on the Movies That Help Them Relax - We Got This Covered - August 22nd, 2022
- Rick And Morty Fans Can't Help But Love These Horror Movie References - Looper - August 22nd, 2022
- Famous Horror Movie Scenes That Were Completely Improvised - Looper - August 22nd, 2022
- 8 New Horror Movies Releasing This Week Including 'Predator' Prequel and Slashers from Blumhouse & A24! - Bloody Disgusting - August 6th, 2022
- 'They/Them' underlines the risks of combining horror and social commentary - CNN - August 6th, 2022
- The Number 1 Horror Movie On Netflix Reached A Box-Office Record Set By 'Avatar' - Dread Central - August 6th, 2022
- 'Nessie' - The Loch Ness Monster Horror Movie We Almost Got from Toho and Hammer! - Bloody Disgusting - August 6th, 2022
- Action Xtreme To Begin Filming Action Sci-Fi Horror Movie THE EXPERIMENT - HorrorCultFilms - August 6th, 2022
- 5 Psychological Horror Movies The Average Person Would Never Survive - /Film - August 6th, 2022
- Horror Movies, OutWrite 2022, and More Best Bets for Aug. 410 - WCP - Washington City Paper - August 6th, 2022
- Every Ti West Horror Movie, Ranked - We Got This Covered - August 6th, 2022
- Let The Trolling Begin. The Voice's Blake Shelton Goes Full Horror Movie In Welcoming Camila Cabello To Season 22 - CinemaBlend - August 6th, 2022
- The first transmission of semen by fax: the story of Bruce Dickinson's batsh*t crazy horror movie Chemical Wedding - Louder - August 6th, 2022
- The Quarry Director Will Byles Names His Horror Movie Favorites And How They Inspired The Game - Exclusive - Looper - August 6th, 2022
- Horror Cinema Room dials up the fear factor in immersive film screenings in Dubai - The National - August 6th, 2022
- 'History of the Occult' - Cinedigm and SCREAMBOX Acquire Lovecraftian Horror Movie from Argentina! - Bloody Disgusting - August 6th, 2022
- Free Movie of the Day: Horror film Irrational Fear - JoBlo.com - August 6th, 2022
- Tim Roth Talks Starring In The Horror Film Resurrection, Collaborating With Quentin Tarantino, And More - Exclusive Interview - Looper - August 6th, 2022
- The Best Horror Movies on Prime Video You Absolutely Need to Watch - CNET - July 28th, 2022
- This Is The Most Popular Netflix Horror Movie Of All Time - Dread Central - July 28th, 2022
- 4 New Horror Movies Releasing This Week Including 'Pennywise' Documentary on Screambox! - Bloody Disgusting - July 28th, 2022
- 15 Horror Movies That Went Too Far - /Film - July 28th, 2022
- The Best Cosmic Horror Movies That Will Make You Hate The Unknown - /Film - July 28th, 2022
- Outfest Wraps With World Premiere Of Kevin Bacon Horror Film They/Them - Deadline - July 28th, 2022
- Gender Roles at the Movies: Which of These Classic Horror Films Got It Right? - pride source.com - July 28th, 2022
- Nope Is Set to Be the Blockbuster Horror Movie of the Summer - Vogue - July 28th, 2022
- 15 Best Horror Movies with One-Word Titles - IndieWire - July 28th, 2022
- She Will review edgy psychological horror meets feminist revenge fable - The Guardian - July 28th, 2022
- Jordan Peele's 'Nope' and 4 New Horror Movies Releasing This Week - Bloody Disgusting - July 20th, 2022
- The Black Phone on VOD & 4 Other Horror Movies Released 7/15/2022 - Bloody Disgusting - July 20th, 2022
- Here Are The Most Anticipated Horror Movies For the Rest of 2022 - We Got This Covered - July 20th, 2022
- 5 New Horror Movies Released Today and "What We Do in the Shadows" Returns! - Bloody Disgusting - July 20th, 2022
- What happened to the kid's horror film? Film Stories - Film Stories - July 20th, 2022
- M. Night Shyamalan's next movie is an adaptation of a horror novel - Gamesradar - July 20th, 2022
- ALL JACKED UP AND FULL OF WORMS Is the Weirdest Movie You Have to See (Fantasia Fest Review) - Nerdist - July 20th, 2022
- Blast from the Quad Cities' past: Dr. Igor is up for Horror Host Hall of Fame - WQAD Moline - July 20th, 2022
- Sleepaway Camp 3 (1989) WTF Happened to This Horror Movie? - JoBlo.com - July 20th, 2022
- Best Horror Movies of 2022: 'Black Phone,' 'X,' 'Scream' and More - Variety - July 12th, 2022
- 'The Black Phone' and Six of the Best Captivity-Based Horror Movies - Bloody Disgusting - July 12th, 2022
Reviewed and Recommended by Erik Baquero