‘Dawn of the Dead’ Movie Facts – Mental Floss

In the late 1960s, George A. Romero changed horror cinema forever with Night of the Living Dead, an instant classic that defined zombie storytelling on the big and small screens for decades to come. Over the next decade, Romerowho was reluctant to revisit the creepy world of shambling corpses hed brought to lifetried other things. But then a chance encounter with a shopping mall and a little help from a fellow horror master changed his mind. The result was Dawn of the Dead, an over-the-top horror comic book for the big screen that remains, for many fans, the greatest zombie film ever made.

Its been more than 40 years since Dawn of the Dead first arrived in theaters, and the film remains a wickedly fun piece of horror satire full of exploding heads, mischievous bikers, and one very dangerous helicopter. In celebration of four decades of terror at the mall, here are 10 facts about the making of Dawn of the Dead.

When Night of the Living Dead became a massive hit after its release in 1968, Romero began fielding various offers to potentially revisit the world of ghouls that he had created. Romero, whod made a living making TV commercials in Pittsburgh before Night of the Living Dead was made, was "paranoid" about the idea of returning for a second film, and left it alone for years until an idea unexpectedly came to him.

As Romero explained on Anchor Bays Dawn of the Dead commentary track, the idea for the film initially came to him when he touring Pennsylvania's Monroeville Mall, which was owned by some friends of his. During the tour, he was shown some crawlspace within the mall where various supplies were stored, and started thinking about what might happen if people holed up in the mall to try and ride out a zombie apocalypse.

The second big ingredient that led to Dawn of the Dead was Dario Argento, the acclaimed Italian director best known for Suspiria and Deep Red. Argento offered to help Romero get financing for a Night of the Dead sequel, and even invited him to Rome to work on the script.

They got us a little apartment, I sat in Rome and banged this out, Romero said.

The most famous line in Dawn of the Deada line so famous it became the movie's tagline and was later reused in Zack Snyders 2004 remakebelongs to the character of Peter: When theres no more room in hell, the dead will walk the Earth. As catchy and unforgettable as it is, Romero doesnt recall any grand moment of inspiration. He was just drunk one night, trying to get the script finished.

I just made that up. Truly. On a drunken night when I was really crashing to nish the script and I thought that was kind of nice. It was from something Dario Argento told me, Romero told Rolling Stone in 1978. My family is Cuban and Dario said, Well you have a Caribbean background and thats why youre into the zombie thing; zombies originated in Haiti. I said, well, all right, and I just gured thats something a voodoo priest might say. Whee! Im just having fun, man.

Argento helped Romero find financing for Dawn of the Dead and served as a script consultant on the film. In exchange, Argento retained the right to recut the film for various foreign markets, while Romero retained final cut for North and South America. As a result, the Italian version of the film was shorter than Romeros U.S. version, as Argento trimmed certain jokes he felt Italian audiences wouldnt get. This increased the darkness of the film, which led to certain content cuts in other foreign markets. This is why several different cuts of the film wound up existing around the world, including an R-rated re-release that was re-cut for drive-in theaters in 1982.

Dawn of the Dead was released first in international markets, arriving in Italian theaters in the fall of 1978, months before it would land in the United States. In just a few weeks, the film was a commercial success overseas without ever playing to American audiences. So, when Romero and company ran into MPAA demands that they cut the film down or get an X rating, they doubled down and released the film unrated without any cuts to the gore.

Though hes renowned among horror fans as the man responsible for building zombies into one of the most effective movie monsters, Romero didnt spend too much time guiding his undead ghouls. The director felt that if he tried to offer detailed direction in terms of zombie behavior, the zombies would all start acting one way instead of like a group of individuals. So, direction was kept to a minimum.

You just have to say, Be dead, he later recalled.

The Monroeville Mall was not a Romero invention. It was a real, working shoppers paradise, owned by friends of his, which meant that it wasnt just going to be shut down for weeks at a time so a zombie movie crew could come in and wreck it. Though Romero and his wife Chris later recalled having to stay out of the mall while the Christmas decorations were up (which is when scenes set elsewhere were shot), once the crew did get into the mall they could only shoot at night.

To make that easier, the crew replaced many of the lights in the mall with color-corrected lighting, so they could essentially shoot wherever they chose. At 7 a.m. each morning the malls Muzak would automatically start playing, which meant shooting was done for the day, and the cast and crew could shamble home for a little rest. (The Monroeville Mall, which is located about 10 miles from Pittsburgh, is still in operation today.)

Though he would eventually become known as one of horrors great gore wizards, at the time of Dawn of the Dead Tom Savinis career as a special effects artist was still quite young. As he recalled later, he was doing a play in North Carolina when Romero called him and said: We got another gig. Think of ways to kill people.

Savini later recalled that he was given a great deal of freedom to play with different ideas for the many, many gore effects in Dawn of the Dead, so much so that many of the most memorable effects were made up on the day of shooting, including the scene in which a zombie takes a screwdriver through the ear and the exploding head during the SWAT raid on the housing project near the beginning of the film. Savinis knack for improvisation also served him well in another capacity: The character of Blades the biker, which Savini plays, was not in the original script. He was simply added during shooting.

George let us go play, Savini recalled.

Like many of Romeros films, Dawn of the Deads production was based in his native Pittsburgh, which meant that getting people to be in the movie was often as simple as contacting friends and family and inviting them to appear on camera. Romero makes a cameo in the film himself, alongside his future wife and producer Chris, in the films opening sequence at the TV station, where the couple is sitting side by side at a control panel (Romero, Savini noted on the commentary track, is also wearing his lucky scarf). Other cameos scattered throughout the film include Chris Romeros brother Cliff Forrest as the man who leans over a sleeping Francine in the opening shot, and Tom Savinis niece and nephew as the two zombie children who burst out of a closet at the landing strip and attack Peter.

As with some of the smaller speaking roles, getting extras to show up in Dawn of the Dead was often a matter of simply asking around Pittsburgh for the right people. As a result, the National Guardsmen present in the film, as well as some of the police officers, were real National Guardsmen and real cops.

For the legendary sequence in which a biker gang stages a raid on the mall, the production also managed to find real bikers in form of a group called The Pagans, who brought their own motorcycles for the shoot.

I dont remember who contacted them, but they just showed up, Chris Romero later recalled.

During production on Dawn of the Dead, George Romero told Rolling Stone writer Chet Flippo that the film had, in Flippos words no beginning and two endings. Romero explained that this was because he was working moment to moment on the film. He eventually figured the beginning of the film out, of course, and went with an ending in which Peter and Francine fight their way out of the mall and onto the roof, where they escape in the helicopter. So, what was the other ending?

On the films commentary track, George and Chris Romero and Tom Savini all discuss a much darker concept to close the film, in which Peter would have shot himself (which he contemplates doing in the final cut) while Francine would have leapt into the spinning blades of the helicopter, mirroring one of the most famous zombie deaths earlier in the film. That ending would have followed in the footsteps of Night of the Living Deads dark ending, but Romero ultimately decided on something lighter.

Still, the original plan didnt go to waste: Savini had already made a cast of actress Gaylen Rosss head to use for Francines death scene, so he repurposed itwith the help of some makeup and a wigfor the famous exploding head shot during the housing project raid.

Additional Sources:Shock Value by Jason Zinoman (The Penguin Press, 2011)Dawn of the Dead DVD Commentary (Anchor Bay, 2004)

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'Dawn of the Dead' Movie Facts - Mental Floss