Star Wars: John Boyega takes responsibility for the lost script Rise of Skywalker that surfaced on eBay – The Media Hq

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Actor John Boyega of Star Wars took the responsibility of losing a script of Rise to Skywalker that was later broadcast on eBay.

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Boyega, who plays Finn in the franchise, told Good Morning America on Wednesday that he was one of the people responsible for the incident.

"It was me!" He told Michael Strahan.

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"Let me tell you how it happened. What happened was it was actually home, I was moving apartments and I left the scenario under my bed. I was just like, you know what, I'm going to leave it under my bed and when I get up in the morning, I take it and then I move.

"But then, my boys arrived and we started to party a little, then the script stayed there, and a few weeks later, this cleaner comes in, finds the script and then puts it on eBay for about $ 65. ( $ 84). "

leftCreated with Sketch.

rightCreated with Sketch.

The prequel trilogy survived in infamy, but the lowest point of this low point of the Star Wars franchise must be Attack of the Clones, the dry, crisp medium of the cinematic sandwich. Although Revenge of the Sith has a sense of completion and the Phantom Menace marvels, all that Attack of the Clones possesses is a Yoda CGI wandering around the screen like an unpredictable fly while fighting the Count Dooku of Christopher Lee. It is a film animated by useless desires: from space policy to the backdrop of Boba Fett, through Padm and Anakin's novel. The latter is the most unbearable because George Lucas has never listened to the dialogue, as Harrison Ford pointed out when he said on the board: "George, you can type that s * **, but you do not say it. Which brings us to one of the worst readings of lines in film history, when Anakin of Hayden Christensen laments: "I do not like sand. It's rude, rough and irritating and it goes everywhere. "

Rex Features

Hollywood has increasingly assumed that "darker" meant better when it came to cinema this explains why Harry Potter movies seem to have been filmed while somebody did not like it. one gradually dimmed the studio's dimmer. Of course, the public knows that "darker" sometimes means that your wicked protagonist becomes a teenage murderer and murderer. Anakin's bow promises to be an end, highlighted by the ridiculous decision to let Darth Vader's first moments on the screen make him scream "Noooooo!" In heaven like a dreary dog. That said, Ewan McGregor confirms here that he managed to escape the franchise largely unscathed, as this episode sees him having the most fun with the clumsy dialogue (see: "Hello!" And "J & ' Have the heights! ").

Rex Features

The Ghost Menace escapes a bit before the rest of the previous trilogy, if only because she remembers that these movies are meant to be entertaining from time to time. The pod race it's a good scene! Darth Maul has all eyes, no follow-up it's embarrassing to act as if you had won, only to be cut in half and sent to lag behind while his inclusion in the film had introduced the # 1 One of the best musical themes of Star Wars History, John Williams' "Duel of Destiny". However, space policy is a particular drag here, with all the talk of commercial disputes, and, of course, it is mandatory to mention the terror that Jar Jar Binks is.

Rex

Even if it is the weakest of the new generation of Star Wars films, Solo still resists as a fun party worthy of Han Solo's naughty reputation. Alden Ehrenreich takes enough of Harrison Ford's manners to sell the character without sinking into imitation, while Donald Glover is a thief of scenes from the moment he appears on screen as Lando Calrissian. It is therefore a missed opportunity that the film is otherwise slowed down by the impulse to give the story to as many aspects of the Han character as possible. Do we really need to know how we got the name "Solo"? Really?

Rex Features

There is much to be concluded in the last chapter of the original trilogy. The result is a few odd rounds for the convenience of the plot. What do you do with a character as enigmatic as Boba Fett? Why drop it in the Sarlacc pit in the first 20 minutes! How can we end the love triangle mentioned in A New Hope? Why, insert a revelation that Luke and Leia are, in fact, brother and sister! Even the second death star feels oddly more silly than The Force Awakens and his third giant balloon attempt in space, since The First Order had at least an excuse for their obsessive admiration for the fact. Empire might have obscured their judgment. That said, there is still a lot of charm here and the Ewoks are not so bad. Before dismissing them as irritating product opportunities, remember that they have no qualms about killing and eating people.

Rex Features

If Rogue One gives an idea of Disney's plans for the franchise and its future, there is no reason to worry. As the first of A Star Wars Story's spin-offs, he easily moves up a gear, soothes the audience by not moving too far away from the usual timeline, while introducing a full set of new characters and a tone. more severe. Stylistically, this looks more like a Vietnam War movie and proves how much a talented filmmaker like Gareth Edwards can get away from the usual franchise formula and feel grounded in the same world. In addition, you must admire the courage it takes to deliver an end like this

Rex Features

Disney made a very smart move with The Force Awakens. The first generation Star Wars movie, he had to not only leave his mark, but feel familiar enough to welcome the fans in turn. The scale is perfectly reached here. This is largely because of the film's new trio of central heroes, which emit the same kind of warmth, courage, and wit that earned a special place in people's hearts when they discovered stars of the franchise. Daisy Ridley's Rey, John Boyega's Finn, and Oscar Isaac Isaac's Poe pay homage to Star Wars' past while heading for its unknown future. It also helps that the film has landed on a villain like Kylo Ren (Adam Driver), whose dynamism and complexity could see him overtaking even Darth Vader by the end of his story in Episode IX.

Rex Features

The differences that the film has provoked have certainly proved one thing: it is a Star Wars movie that took a creative risk. And what a risk daring, ambitious and ultimately beautiful. Director Rian Johnson took over the cinematic heritage presented before him and added new richness to his textures. He allowed heroism to go beyond the clear division between good and evil; through Luke and Rey, we were taught not to be ashamed of our doubts but to become stronger through them. We have been taught not to use fate as a crutch, but to know when to make a path. The Last Jedi is a soul movie told through some of the most striking images of the franchise.

Rex Features

This is the place where everything started. The Star Wars franchise has become successful only today because of the revolutionary purity of the first installment as a Hollywood filmmaking achievement. It is to date one of the most successful examples of the modern epic, imitated endlessly but so rarely with the same heart or the same ambition. George Lucas took advantage of one of the most timeless qualities of storytelling: his ability to allow us to see and understand our own world through the eyes of another. Star Wars has become so iconic because, even on such a scale, we know the emotions around us and relate to them fear, love or the desire to do what is right.

Rex Features

Empire Strikes Back is remarkable for its ability to pursue real emotional issues. His last moments, the final note of his symphony of sacrifices and tragedies, leaves us with the only and delicate emotion that is hope, which blossoms in the darkness as our heroes work to save Han and restore the rebel alliance. What A New Hope Made By Letting Us Fall In Love With These Characters, The Empire Strikes Back Had The Chance To Share With Us Their Pain And Fears. Darth Vader reveals that his father, Luke, of course found his place in the story, but there is an equal sense of emotional resonance as Leia and Han leave, shortly before he is trapped in carbonite. When Han's "I know" returns Han's "I know," a sentence written by Harrison Ford himself, reminds us of how magical the meaning of the story of Star Wars can be, condensing everything that these two Characters feel one for the other. five simple words.

Rex Features

The prequel trilogy survived in infamy, but the lowest point of this low point of the Star Wars franchise must be Attack of the Clones, the dry, crisp medium of the cinematic sandwich. Although Revenge of the Sith has a sense of completion and the Phantom Menace marvels, all that Attack of the Clones possesses is a Yoda CGI hopping on the screen like an impenetrable fly when fighting the Earl Dooku by Christopher Lee. It is a film animated by useless desires: from space policy to the backdrop of Boba Fett, through Padm and Anakin's novel. The latter is the most unbearable because George Lucas has never listened to the dialogue, as Harrison Ford pointed out when he said on the board: "George, you can type that s * **, but you do not say it. Which brings us to one of the worst readings of lines in film history, when Anakin of Hayden Christensen laments: "I do not like sand. It's rude, rough and irritating and it goes everywhere. "

Rex Features

Hollywood has increasingly assumed that "darker" meant better when it came to cinema this explains why Harry Potter movies seem to have been filmed while somebody did not like it. one gradually dimmed the studio's dimmer. Of course, the public knows that "darker" sometimes means that your wicked protagonist becomes a teenage murderer and murderer. Anakin's bow promises to be an end, highlighted by the ridiculous decision to let Darth Vader's first moments on the screen make him scream "Noooooo!" In heaven like a dreary dog. That said, Ewan McGregor confirms here that he managed to escape the franchise largely unscathed, as this episode sees him having the most fun with the clumsy dialogue (see: "Hello!" And "J & ' Have the heights! ").

Rex Features

The Ghost Menace escapes a bit before the rest of the previous trilogy, if only because she remembers that these movies are meant to be entertaining from time to time. The pod race it's a good scene! Darth Maul has all eyes, no follow-up it's embarrassing to act as if you had won, only to be cut in half and sent to lag behind while his inclusion in the film had introduced the # 1 One of the best musical themes of Star Wars History, John Williams' "Duel of Destiny". However, space policy is a particular drag here, with all the talk of commercial disputes, and, of course, it is mandatory to mention the terror that Jar Jar Binks is.

Rex

Even if it is the weakest of the new generation of Star Wars films, Solo still resists as a fun party worthy of Han Solo's naughty reputation. Alden Ehrenreich takes enough of Harrison Ford's manners to sell the character without sinking into imitation, while Donald Glover is a thief of scenes from the moment he appears on screen as Lando Calrissian. It is therefore a missed opportunity that the film is otherwise slowed down by the impulse to give the story to as many aspects of the Han character as possible. Do we really need to know how we got the name "Solo"? Really?

Rex Features

There is much to be concluded in the last chapter of the original trilogy. The result is a few odd rounds for the convenience of the plot. What do you do with a character as enigmatic as Boba Fett? Why drop it in the Sarlacc pit in the first 20 minutes! How can we end the love triangle mentioned in A New Hope? Why, insert a revelation that Luke and Leia are, in fact, brother and sister! Even the second death star feels oddly more silly than The Force Awakens and his third giant balloon attempt in space, since The First Order had at least an excuse for their obsessive admiration for the fact. Empire might have obscured their judgment. That said, there is still a lot of charm here and the Ewoks are not so bad. Before dismissing them as irritating product opportunities, remember that they have no qualms about killing and eating people.

Rex Features

If Rogue One gives an idea of Disney's plans for the franchise and its future, there is no reason to worry. As the first of A Star Wars Story's spin-offs, he easily moves up a gear, soothes the audience by not moving too far away from the usual timeline, while introducing a full set of new characters and a tone. more severe. Stylistically, this looks more like a Vietnam War movie and proves how much a talented filmmaker like Gareth Edwards can get away from the usual franchise formula and feel grounded in the same world. In addition, you must admire the courage it takes to deliver an end like this

Rex Features

Disney made a very smart move with The Force Awakens. The first generation Star Wars movie, he had to not only leave his mark, but feel familiar enough to welcome the fans in turn. The scale is perfectly reached here. This is largely because of the film's new trio of central heroes, which emit the same kind of warmth, courage, and wit that earned a special place in people's hearts when they discovered stars of the franchise. Daisy Ridley's Rey, John Boyega's Finn, and Oscar Isaac Isaac's Poe pay homage to Star Wars' past while heading for its unknown future. It also helps that the film has landed on a villain like Kylo Ren (Adam Driver), whose dynamism and complexity could see him overtaking even Darth Vader by the end of his story in Episode IX.

Rex Features

The differences that the film has provoked have certainly proved one thing: it is a Star Wars movie that took a creative risk. And what a risk daring, ambitious and ultimately beautiful. Director Rian Johnson took over the cinematic heritage presented before him and added new richness to his textures. He allowed heroism to go beyond the clear division between good and evil; through Luke and Rey, we were taught not to be ashamed of our doubts but to become stronger through them. We have been taught not to use fate as a crutch, but to know when to make a path. The Last Jedi is a soul movie told through some of the most striking images of the franchise.

Rex Features

This is the place where everything started. The Star Wars franchise has become successful only today because of the revolutionary purity of the first installment as a Hollywood filmmaking achievement. It is to date one of the most successful examples of the modern epic, imitated endlessly but so rarely with the same heart or the same ambition. George Lucas took advantage of one of the most timeless qualities of storytelling: his ability to allow us to see and understand our own world through the eyes of another. Star Wars has become so iconic because, even on such a scale, we know the emotions around us and relate to them fear, love or the desire to do what is right.

Rex Features

Empire Strikes Back is remarkable for its ability to pursue real emotional issues. His last moments, the final note of his symphony of sacrifices and tragedies, leaves us with the only and delicate emotion that is hope, which blossoms in the darkness as our heroes work to save Han and restore the rebel alliance. What A New Hope Made By Letting Us Fall In Love With These Characters, The Empire Strikes Back Had The Chance To Share With Us Their Pain And Fears. Darth Vader reveals that his father, Luke, of course found his place in the story, but there is a feeling of emotional resonance equal to the moment Leia and Han leave, shortly before he is trapped in carbonite. When Han's "I know" returns Han's "I know," a sentence written by Harrison Ford himself, reminds us of how magical the meaning of the Star Wars story can be, thus condensing everything that these two characters feel one for the other. five simple words.

Rex Features

S addressing the public, Boyega added: "The person did not know the real value!" He then joked, "And I actually thought it was a great opportunity for fans to read the movie before you see it, maybe I'm about to do something!"

He said the incident was "scary" and joked that "even Mickey Mouse" had called to reprimand him.

JJ Abrams revealed the existence of the lost script earlier this week, explaining that one of the cast members of the film had left him under their bed.

At the time, he refrained from naming the actor in question.

The Rise of Skywalker, the latest installment in the Star Wars trilogy, will be released December 19 in the UK and December 20 in the United States.

. (Star Wars tags) Star Wars: The rise of Skywalker (t) John Boyega (t) JJ Abrams (t) News (t) Film (t) Culture

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Star Wars: John Boyega takes responsibility for the lost script Rise of Skywalker that surfaced on eBay - The Media Hq

Reviewed and Recommended by Erik Baquero